Saturday, August 13, 2016

AUTHOR INTERVIEW: Getting to Know James WF Roberts

          


Tell us a bit about yourself and your background?


Well, where to begin? My name is James WF Roberts, I am a 34 years old, Melbourne, Australia based poet and writer. I am currently doing my Masters of Communication and Media Studies at Monash University. I have just come back from a two week long media and the city, cultural economy study tour of Shanghai, care of Jiatong and Monash University. Several years ago I completed a double honours degree from La Trobe University, in Philosophy, Religious Studies, Literature Art and Film.  My family background is an extremely creative one. My immediate family is involved in the Arts to some degree. My late father was a multi-instrumentalist, organist and music teacher, he even is referenced on Wikipedia as a ‘notable player of the Yamaha Electone organ’. He came like fifth or something in 1977 in Japan in a major competition. My eldest sister is a music teacher worked in piano bars and in ska band and led a choir, in Holland, Tokyo and Hong Kong. My brother is a very gifted multi-instrumentalist too; my other sister used to sing in choirs, play the organ, and taught music also. And, my mother was a singer and actress before she met my father. So, I guess being in Arts is in my blood.  I have worked as a freelance writer, journalist and editor on and off for years. I used to host a late night community and digital radio show in Bendigo for almost ten years.

     What kind of writing do you do?

That is a really, really hard question. I don’t think I have a particular style that can be easily labelled.  The genre of writing I normally do is spoken word poetry. I am quite good in the erotic style, transgressive. I guess I call myself transgressive, or post-structuralist, or meta-fiction writer, maybe even a bit of a magical-realist. I think being a writer in the 21st century is an interesting time to be a writer. I write a bit of everything though, short stories, horror, speculative fiction, erotica. Academic essays, a few articles here and there and the usual stuff, writers never admit we do to make some bread….

When did writing become something you wanted to throw yourself into?  

That is always a hard question. I guess I was always writing short stories and other ideas down for a very long time. I don’t really know when I actually made the conscience decision to be throw myself into writing as it were. I guess, when thinking about it what made me throw myself into my writing as it were, was when I was about 19 when I was in the Army. I was going through basic training at Kapooka Base just outside Wagga Wagga and I was diagnosed with high functioning Asperger’s Syndrome at the same time. I discovered I was better living in my own head instead of doing other things. I don’t know it is always a hard thing, I don’t know whether most people actually have those big reveal moments. I think most people become writers by accident, after trying their hands at many different things, it’s almost like by accident you write something good and bang! You’re a writer now!

When did you feel confident enough in your writing to unveil it to the public? 

It was about 2003 or something like that I think, or maybe even 2002 after I left the Army I was living in working in a tiny little place in Northern Queensland, called Cooktown and I sort of got this job by accident working for the Cooktown news and my first articles were published up there. I don’t have copies of them. I used to do that self-indulgent, embarrassing thing of destroying copies of old works and that usual thing, so I don’t have any copies of them anymore. They were probably crap, judging by the writer I am now, and the writer I was back then.   

Why do you write? 

After all, when you’re artist, your art is like Junk! It’s an addiction and you have to mainline, nearly every day, otherwise it’s not worth it. A writer writes. He doesn’t practice writing or rehearse writing. He just does it.


What inspired you to write your latest book? 

Satyr is based on an idea I have had for a very long time, a sex and relationship memoir from the point of view of a modern man, using the modern sexual and mild fetishistic ideas. Many of the things in the collection are based on my own misadventures and experiences with sex, polyamoury, recreational drugs and depression. It is essentially a book about a man trying to find himself through sex, drugs and booze, after a really insidious and destructive, manipulative relationship ends. What happens when have lost everything emotionally, psychologically  and spiritually—one addiction gives way to another one.  And, also as an Autist, as an ‘aspie’ as we call ourselves I wanted to investigate, develop and write about the sensuality of a person with a hyper-sensitivity to things like touch, smell, taste and light. People don’t understand Asperger’s, people think we are emotionally retarded—we are like robots. The real truth of the matter is that we feel too much. We are too intense in our emotions so we have to control our emotions as much as possible—but often that leads to not being to turn it on at all, or worse, when you re-open the seal it overflows like a flood.

What was the hardest thing about writing your latest book? 

Being honest about who I am, about my condition. Being frank about my sexuality and my passions.

What was the easiest thing about writing this book?  

Same thing really. It’s always a double edged sword being open and frank about things.

Who are some of your literary and poetic influences? 

I have a few. I studied William Blake, Allen Ginsberg and Plato and Nietzsche in my under-grad days, so have always been obsessed with those writers. Edgar Allen  Poe is a major influence on my poetic style, especially my murder and love poems.  But my major contemporary influences are, well Vanessa de Largie, is a great poet and writer and actress she is a blogger for huffington post, she has been a major influence and source of encouragement of mine over the last few years, she did a lot of proofing of this collection for me. Other Australian poets like Steve Smart, Amanda Anastasi, Hamish Danks Brown, Michael Reynolds, Omar Musa and so many others in the Melbourne and Sydney poetry scenes. Other poets like Tishani Doshi and the American Catherine Zickgraf have also been incredible sources of inspiration and poetic determination over the last few years.

Do you have any current works in progress or ready for publication?

Well, besides the Satyr collection just coming out, I am working on a piece to perform at Melbourne Spring Fashion Week, in a collaborative event between designers and poets of Melbourne. I am working on putting some performance pieces into a short film idea, work on my Masters. Also working on some poem ideas I started on my recent trip to Shanghai, and finishing part 4 of Tuesday Suicide, ‘Descent’.

What advice would you give aspiring writers and authors?

There’s a Tina Arena song I often think about when I get asked this question, there’s a line in one of her songs, ‘if you wanna be a poet then write’—that is the best advice I can give to any writer. Just write. No matter how terrible, or lame or sappy or whatever you think it is. There is no such thing as bad writing. There are things that are not delivered well. But there is no such thing as a bad poem. I remember once at a writer’s festival in Bendigo, there were so major poets talking about some their collaborations and workshops they had done with people grieving over the loss of loved ones and also a poetry collection done through a major radio station, about pets or something….it was amazing how much the students from the local TAFE College bagged out those activities as being lame or beneath them, even denigrating poets working with prisoners doing hard time.  You don’t need to be an academic or university educated to be a poet, most of the great poets of history weren’t.  They just wrote. Write about your own experiences. Write about your relationships. Write about things that piss you off. Write about your fears and write about the world around you, or the world you wish was around. It doesn’t matter….just bloody WRITE!

Where can readers purchase your work?  How can they get in touch with you? 

I have several books on amazon and a spoken word collection on band camp that should all be currently for purchase.  


You can find my blog and website here: 


My Facebook pages where you can find me: 

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